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Chatsworth House () is a stately home in Derbyshire, England. It is in the Derbyshire Dales, about north-east of Bakewell and west of Chesterfield (). It is the seat of the Duke of Devonshire and has been home to the Cavendish family since 1549. Standing on the east bank of the River Derwent, Chatsworth looks across to the low hills that divide the Derwent and Wye valleys. The house, set in expansive parkland and backed by wooded, rocky hills rising to heather moorland, contains a unique collection of priceless paintings, furniture, Old Master drawings, neoclassical sculptures, books and other artefacts. Chatsworth has been selected as the United Kingdom's favourite country house several times. ==Architecture== Chatsworth House is built on sloping ground, lower on the north and west sides than on the south and east sides. The original Tudor mansion was built in the 1560s by Bess of Hardwick in a quadrangle layout, approximately from north to south and from east to west, with a large central courtyard. The front entrance was on the west front, which was embellished with four towers or turrets, and the great hall in the medieval tradition was on the east side of the courtyard, where the Painted Hall remains the focus of the house to this day. The south and east fronts were rebuilt under the order of William Talman and were complete by 1696 for William Cavendish, 1st Duke of Devonshire. The 1st Duke's Chatsworth was a key building in the development of English Baroque architecture. According to the architectural historian Sir John Summerson, "It inaugurates an artistic revolution which is the counterpart of the political revolution in which the Earl was so prominent a leader." The design of the south front was revolutionary for an English house, with no attics or hipped roof, but instead two main stories supported by a rusticated basement. The facade is dramatic and sculptural with ionic pilasters and a heavy entablature and balustrade. The existing heavy and angular stone stairs from the first floor down to the garden are a 19th-century replacement of an elegant curved double staircase. The east front is the quietest of the four on the main block. Like the south front it is unusual in that it has an even number of bays and no centrepiece. The emphasis is placed on the end bays, each highlighted by double pairs of pilasters, of which the inner pairs project outwards. The west and north fronts may have been the work of Thomas Archer, possibly in collaboration with the Duke himself. The west front has nine wide bays with a central pediment supported by four columns and pilasters to the other bays. Due to the slope of the site this front is taller than the south front. It is also large with many other nine bay three storey facades are little more than half as wide and tall. The west front is very lively with much carved stonework, and the window frames are highlighted with gold leaf, which catches the setting sun. The north front was the last to be built. It presented a challenge, as the north end of the west front projected nine feet (3 m) further than the north end of the east front. This problem was overcome by building a slightly curved facade to distract the eye. The attic windows on this side are the only ones visible on the exterior of the house and are set into the main facade, rather than into a visible roof. Those in the curved section were originally oval, but are now rectangular like those in the end sections. The north front was altered in the 19th-century when William Cavendish, 6th Duke of Devonshire, along with the architect Jeffry Wyatville, built the North Wing, doubling the size of the house. Most of this wing only has two storeys, compared to the three of the main block's. It is attached to the north-east corner of the house, and is around 400 feet (120 m) long. At the end of the North Wing is the North, or Belvedere Tower. The work was carried out in an Italianate style that blends smoothly with the elaborate finish of the baroque house. The 6th Duke built a gatehouse at this end of the house with three gates. The central and largest gate led to the North Entrance, then the main entrance to the house. This is now the entrance used by visitors. The north gate led to the service courtyard, and the matching south gate led to the original front door in the west front, which was relegated to secondary status in the Duke's time, but is now the family's private entrance once again. The facades to the central courtyard were also rebuilt by the 1st Duke. The courtyard was larger than it is now, as there were no corridors on the western side and the northern and southern sides only had enclosed galleries on the first floor (second floor in American English) with open galleries below. In the 19th century, new accommodation was built on these three sides on all three levels. The only surviving baroque facade is that on the eastern side, where five bays of the original seven remain, and are largely as built. There are carved trophies by Samuel Watson, a Derbyshire craftsman who did a lot work at Chatsworth in stone, marble and wood. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Chatsworth House」の詳細全文を読む スポンサード リンク
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